Welcome to The Kids From Fame Media Blog

I'm Mark & I've Been a Fame fan since 1982. This blog is dedicated to the incredibly talented cast of the show and is a place to share music, videos and pictures. To contact me please send emails to: mark1814uk@googlemail.com

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Friday, 22 September 2017

Come One Come All - 35th Anniversary U.K. Broadcast


22nd September is the 35th Anniversary of the U.K. Broadcast of "Reunions" .
Here is a witty recap of the episode from TV of Yore Website


 Ms. Grant's dance class is limbo-ing, which is...well, whatever. When it's Leroy's turn, he strips off his shirt and lowers the limbo by a lot...which - ack! - was a tad alarming considering he's wearing his usual short shorts, and they're a bit too flared at the hemlines to be limbo-ing in the gyratey way I know he'll be wanting to limbo. Mercifully, the bell rings, and Leroy abruptly dashes out of the dance gym with his balls still safely tucked inside his shorts. Phew. As the students disperse, Miss Sherwood stomps into the dance gym looking annoyed. She tells Ms. Grant that their colleague, Mr. Crandall, had an accident and will be in traction for the next few weeks...and this is very bad news 'cause he was in charge of the Parents' Night show. Egads! Miss Sherwood tells Ms. Grant that they're going to have to take control of the operation - but it won't be easy because Crandall wrote all of his notes in code. And since he's heavily sedated, he's not available to decipher them. Miss Sherwood grimly declares, "We're in deep, deep trouble." Oh lighten up. The school puts on a show every damn week. I highly doubt that anyone of any importance would notice/care if they totally bombed once in awhile.

Papa Martelli enters the school office to ask Mr. Shorofsky for a favor. He says he has to work on Parent's Night and wants permission to attend the dress rehearsal for the show the night before...then overexplains about how there's a big boxing match in the city that will require every cabbie to be on duty. Ms. Shorofsky says he doesn't mind, but informs him that Miss Sherwood is in charge of the event and suggests leaving a note in her mailbox. A middle-age-ish blonde woman we've never seen enters the office and stands at the counter next to Papa Martelli. He glances over at her and asks her if they've met before, and she flashes him a faux modest smile and says he's probably seen her on the big screen. Papa Martelli makes the connection that she's Melinda MacNeil from the movie Good News...and then Julie, who's been lurking in the office for some reason, blurts out, "You're Montgomery's mom!"

Julie returns to English class, where it looks like everyone's in the middle of writing a test. She passes a note to Montgomery informing him that his mom is in the building...and he reads it, makes a yeech face, then resumes writing his test.

Turns out Melinda MacNeil is the celebrity guest Mr. Crandall invited to headline the Parent's Night show. Melinda self-importantly gabbles to Ms. Grant about how she pushed back her current film project so she could fly to New York and see whassup with her son. Ms. Grant warns her that the Parent's Night show may be crappier than usual 'cause a lot of the prep went out the window when Mr. Crandall became unexpectedly incapacitated. She gushes about how she's always admired her on the big screen, then asks her if she'd be willing to step in as director for the Parent's Night show. Melinda lights up and says she'd be delighted to help, and the two agree to get together at lunch time and discuss it further.


Doris tracks down Montgomery and tells him his famous mom is in the building, but Montgomery just shrugs disinterestedly
 and glumly says, "I'll run into her when I run into her." Doris says she's most likely in the cafeteria right now, then gets all pushy about wanting to meet her - but Montgomery tells her to lay off 'cause she doesn't know the full history of his dysfunctional relationship with the phony narcissist. Doris whines that she never has an opportunity to get close to celebrities, then accuses him of derailing her chance to hobnob with a bonafide movie star. When she shrilly orders him to introduce her to his mom, he tells her to go pee up a rope and storms upstairs.

Melinda gets in the food line with Miss Sherwood and Ms. Grant...and when she sees Montgomery amble into the crowded cafeteria, she yells out his name and waves at him 'cause that's not totally mortifying for a guy who's already pushing the boundaries of dorkitude. As Montgomery widens his eyes with horror, she sashays over to where he's standing, and the two have a stilted, awkward conversation. She tells him she's going to be in New York for awhile, then proudly informs him that she's just been appointed acting director for the Parent's Night show. He asks her whassup with her film project, and she breezily replies, "This is more important" and asks him what role he's going to have in the show. He tells her he signed up to be a stage hand, and she purses her lips and makes a disappointed hmm face.

In the office, Miss Sherwood asks Mr. Shorofsky if he knows who's directing Parent's Night, and he's like, "I dunno" then catches sight of Melinda sitting across the room. He exclaims, "Hey - I know her!" and tells Miss Sherwood and Ms. Grant that they're old pals who used to perform together at a hotel bar in Ohio: he played piano while she sang. He dreamily stares into space as he reminisces about all the amazing nights he spent in her room...but then doesn't elaborate further, so naturally Miss Sherwood and Ms. Grant make the leap that the two were lovers and are all, "Wha-a?!"

In the cafeteria, Melinda goes over to the table where the gang is sitting and says she's heard so much about each of them from Montgomery. She asks which of them is Mr. Johnson, so Bruno pulls her leg and says he is, and deadpans, "Dancing is my life." She says she can tell that by his taut dancer's body, which prompts everyone to chuckle. She then asks which of them is Bruno, and Danny says he is, so she asks him if he's managed to overcome his sexual confusion. Everyone at the table bursts out laughing at being the butt of her joke, and Bruno nods at Montgomery and gushingly says, "She's good!" but Montgomery winces miserably and rushes off to the library.

Doris follows Montgomery and asks him why he's so bummed out about his mom being around. He wearily explains that he's seen her bullshit act endless times and already knows how badly the Parent's Night show is going to end up. Doris scrunches her face in confusion and goes, "Wasn't she just being nice to us?" so Montgomery explains that his mother only ever pretends to be to nice to people, regardless of whether they're agents, lawyers, or boyfriends. He has no doubt that her stint as the Parent's Night show director is going to end up with her being center stage, while everyone else watches from the wings. He bitterly adds, "I hate being in the wings."


Over in the dance gym, Ms. Grant and Melinda are holding auditions for the Parent's Night show. Leroy is suggestively gyrating with a group of backup dancers while wearing one of his see-through knit shirts...and the performance seems to go on for an unnecessarily looooong time. When they finally wrap it up, Ms. Grant applauds and gushes, "That was terrific!!" but Melinda doesn't look quite as impressed and icily says, "It was really nice." Leroy glares at her and goes, "Wha-a?! Niiiice?" then natters about how his gyrating was much too spectacular to simply be referred to as nice. Ms. Grant looks perplexed and asks Melinda if she doesn't think Leroy's dancing is good enough to be in the show, and Melinda says he's very good at "that kind of dance" then asks how versatile he is (probably not very), and Ms. Grant assures her that he can handle anything they throw at him. Melinda puts a pin in that for now and declares that she wants the show to have a '20s motif...and when Ms. Grant scrunches her face in confusion, Melinda explains that it's imperative the show have a theme. Ms. Grant says that demonstrating to the parents what their kids have been up to at this school for the last few months is the theme, but Melinda argues that that's not actually a theme. She insists that they need a concept to work off of, so Ms. Grant suggests that they try to do both, then compromises and says that perhaps they could do a '20s style jazz number. She starts dancing to demonstrate what she means by '20s style jazz...and then Melinda starts tapping her feet and jigging around the dance gym, and soon the two are brainstorming ideas for the show while trying to outdo each other's dance moves. After the bizarre performance/whatever that was, Melinda concedes that a jazz number might work for the show, then throws Ms. Grant a bone and says, "I'll think about it, dear." Ms. Grant raises her brows in surprise/annoyance/dismay and mutters, "You do that."


Ms. Grant storms into the office and glares in Miss Sherwood's direction, and Miss Sherwood shoots her a knowing return glare and starts bitching about having to take charge of the Parent's Night wardrobe. Ms. Grant bitches about how difficult and demanding Melinda is proving to be, and Miss Sherwood is like, "Right?" and says that the diva gave her a list of agents and producers she wants to invite to the show. She remarks that it looks as though their celebrity guest is using Parent's Night as her own personal audition, which I think is a pretty sad statement about the woman's career.​Doris and Danny are performing a comedy bit that was written in the '20s, and Doris stops halfway through and complains about how terrible and unfunny it is - and the gang agrees. Doris is bitching about the awful writing when Melinda and Montgomery suddenly appear in the doorway...and Melinda chides her for not giving the material a fair chance. She steps in for Doris and performs it with Danny to demonstrate how funny it's supposed to be...but, nope, the jokes sink just as badly when she does it. Melinda asks Julie or Coco if they'd like to try the bit, but they're like, "Hell no" and beat a hasty retreat. As Bruno also tries to make a break for it, Melinda stops him to complain that the musical composition, Carved Smiles, which he put on the show's agenda, doesn't sound very '20s. He says it's not, but he likes playing it and the dancers enjoy performing to it. Melinda insists that the music has to fit into her '20s theme, so Bruno cheekily retorts, "They'll wear striped blazers and straw hats" but Melinda does not look amused and tells him to drop the sarcasm and orders him to select something else. Bruno gets visibly irked and goes, "Or what?" and she stares at him with her cold, dead eyes and replies, "Consider yourself out of the show." During the awkward pause, Montgomery shuts his eyes and cringes with embarrassment. Bruno explains that his father is coming to the show specifically to see him perform, and Melinda bitchily retorts, "Your father is coming to the show. Whether or not he sees you perform remains to be seen." Bruno storms out, and Montgomery tries to explain to his diva mother that she's going about this all wrong, and that her stupid '20s theme is getting in the way of the planning of the show. She haughtily retorts, "Says the stage hand to the director" and he shoots back, "Says the son to his mother."Mr. Shorofsky runs into Melinda in the office and says good morning...and when it's clear she doesn't remember him, he reminds her that they used to perform together at a hotel in Toledo. She must suddenly remember that, 'cause she instantly lights up and exclaims, "Benjamin!" and gushes about how much he taught her. Miss Sherwood, who's openly eavesdropping, stares wide-eyed as Melinda reminisces about all the special nights they spent together, then says she definitely wants to do it again. Mr. Shorofsky says he'd love to do it, and suggests meeting up at lunch time in the teachers' lounge so they can do it...and Miss Sherwood looks shocked and aghast that Mr. Shorofsky's would plan a naked rendezvous with Montgomery's mom in the teachers' lounge. ​ Montgomery's in one of the music rooms, dejectedly strumming an electric guitar when Doris bursts in and says she has a problem. She explains that she's bowing out of the act with Danny and needs to find a replacement...and asks him if he knows anyone who'd be interested. Montgomery says he doesn't, but offers to do a performance in place of hers/Danny's unfunny bit.

Melinda's sitting in the dance gym, watching a group of dancers jig to a theme approved '20s song and nodding approvingly. Ms. Grant peers into the room through the door window and scrunches her face with dismay.

Miss Sherwood tells Ms. Grant that Melinda wants Leroy to slick his hair back like they used to in the '20s, and an exasperated Ms. Grant shakes her head and is all, "Something must be done about the woman!" (LOL) and announces that she's off to the teachers' lounge to give her the what for. Miss Sherwood suddenly remembers that Mr. Shorofsky and Melinda were planning to bump uglies in the teachers' lounge during lunch, so she races after Ms. Grant to stop her from barging in on the sexing - but she's too late. Ms. Grant storms into the teacher's lounge...and a few seconds later, she walks out, ashen faced. She murmurs to Miss Sherwood, "She and Mr. Shorofsky are going at it" and when she opens the door for Miss Sherwood to get a peak, we see that the two are engrossed in a game of chess. Womp womp!

That evening, Ms. Grant finds Doris in the dressing room and asks her if she knows where Melinda is, so Doris tells her she's in the star's dressing room. Ms. Grant says, "We don't
a star dressing room" so Doris explains that Melinda has re-purposed the teachers' lounge as her personal pre-show preparation space.  Ms. Grant heads over to the the "star dressing room" and finds Melinda sitting in front of a mirror, primping for the dress rehearsal. She snidely asks, "Have we forgotten who we're putting on this show for?" and Melinda shoots her the stink-eye and says no she hasn't forgotten that it's for the parents of the students. She tells Ms. Grant that eventually the Fame kids will need to learn how to dance to anything a choreographer wants, and Ms. Grant assures her they will learn that; however, this show is designed to show their parents what they've learned so far. And, unfortunately, musical numbers from the '20s are not what they do best - it's what she does best. Melinda snidely retorts that she agreed to help out with this amateur production as a favor to the faculty, and Ms. Grant retorts, "Is that why you invited so many agents?" and then calls her on her bullcack about having a film project in the works that had to be pushed back so she could direct the Parent's Night show. Melinda turns away, looking sheepish and embarrassed. Haha - busted!


Dress rehearsal! The first number is narrated by Danny and performed by Montgomery. He's dressed as a mime, miming that he's planting a seed, watching it grow into a flower, which then turns into an eagle that no longer needed his nurturing and care. But the mime is all good with it 'cause he's content with the miracle he raised. Subtle, Montgomery. As the audience applauds, Montgomery looks sadly over at an empty chair in the front row, so I guess we can assume that his mom pulled a no show.

Mongtomery ambles into the hall and finds his mom on a pay phone, booking a flight to L.A. When he asks her whassup, she brusquely says she needs his help finding a cab so she can get to the airport, fly home, and be on her movie set first thing in the morning. He says he thought he was more important than her movie, so she dismissively says, "You're not even in the show, so it doesn't really matter" [except that he is in the show now, doing his mime routine]. She confesses that she has to leave for L.A. tonight because the producers won't wait for her another day to start filming...and that all she could get was a supporting role as "the mother" - not the lead role she was expecting. She tells him that watching his schoolmates perform all week has made her realize that she's no spring chicken anymore, and that she will have to accept whatever roles producers are willing to give her. Well, d'yuh. She contritely says she realizes she's not much of a mother, and Montgomery says he's not much of a son...and the two bond in their familial ineptitude and hug. When she pulls away, she goes, "Now...about that cab" - LOL - but Montgomery has to beg off 'cause he's in the show's finale. She assures him she'll somehow find her own cab, tells him to break a leg, then sadly leaves the School of the Arts.


Leroy and the rest of the dancers rehearse a '20s inspired jazz number while dressed in awful orange pants, yellow shirts with purple suspenders - yikes, Miss Sherwood really screwed the pooch on these costumes - and the performance goes on for a loooong time before the credits finally roll.

Thursday, 21 September 2017

Fame Fundraising Party in New York City 20th October 2017

Dirk Luis Meyer is holding a Fame fundraising party in New York City on the 20th October 2017 to help raise funds for the Ger Onlus Children's Charity.

This is the Charity that the Fame cast is supporting with the #Fame35 Anniversary Concert at TEATRO NUOVO di Salsomaggiore Terme, Italy on 2nd December 2017.

For details on the event please contact Dirk at dmeyer.nycity@yahoo.com To help support the event online and make a donation to help raise the $2000 target please go to https://www.gofundme.com/streetchildrenincolombia Everyone who donates qualifies automatically for the opportunity to win one of the amazing 10 Fame gift bags.

Wednesday, 20 September 2017

Tuesday, 19 September 2017

Monday, 18 September 2017

U.K. Charts 18th September 1982

The Kids From Fame album remains in the number one spot once again on the U.K. album charts for week ending 18th September while the original movie soundtrack is down further to number 25. On the U.K. singles chart Irene Cara's "Fame" theme song is down to 29 and also slipping 1 place again is "Hi Fidelity" which is down to 7. Down to number 65 is Irene Cara's "Out Here On My Own". This is it's last week on the chart.

Top of the Pops Top 30 Countdown

Friday, 15 September 2017

Reunions - 35th Anniversary U.K. Broadcast


15th September is the 35th Anniversary of the U.K. Broadcast of "Reunions" .
Here is a witty recap of the episode from TV of Yore Website


During dance class, Doris and Danny have problems with their footwork and trip over their own feet, causing everyone else to trip and land in a heap around them. Ms. Grant snarks at them for their horrific dancing abilities - though it's really just a half-hearted snark, since the two aren't dance majors and little is expected of their leaps and twirls. After class, Ms. Grant asks Danny and Leroy to hang back, then tells them she has "a little job" for them to do. They ask her if it's a paying job, and she nods and cleverly replies, "A couple of hundred dollars will definitely be exchanging hands."

Danny and Leroy look dismayed when they learn that their "little job" is buying props for the upcoming show. Leroy grumbles, "I dunno nuthin' about gettin' props" and Ms. Grant assures him he's perfectly capable of learning this new skill. She cuts them a check for $200 and makes them sign a receipt, guaranteeing that the money will be spent only on approved items. She then tells them to go out and just find the cheapest crap available.

Mrs. Berg informs Mr. Shorofsky that he received a phone message from a woman named Frieda Grauer, and he suddenly gets a faraway look in his eyes. Miss Sherwood enters the office at that moment and asks him whassup, then says he looks like he just heard from a bill collector. He spacily replies, "I have, in a way."

During music class, Mr. Shorofsky throws away the message from Frieda, then gets all bitchy with his class and starts railing incoherently at Bruno. When he finally notices that everyone is staring at him, wide-eyed and aghast, he stops railing, apologizes for his outburst, and urges them to continue playing.


Miss Sherwood tells her class that their next assignment will be to keep a diary. Leroy blurts out, "No way!" and Doris jokes, "If I wrote down my dreams, I'd get arrested!" Ugh, Doris. Even that is too much information. Danny says it's generally a bad idea to write stuff down that could be held against you, so Miss Sherwood explains that a diary is private, and that writing down your thoughts and dreams is a good way to communicate with yourself. She reads them a passage from a diary kept by a young girl named Anne Frank, then tells them that their assignment is to read The Diary of Anne Frank and also keep their own diary for a month. She says she hopes they'll learn something about themselves.

Mr. Shorofsky is in his apartment, looking at old black and white photos of who I'll assume is Frieda. The phone rings, and a really old looking answering machine picks up the call. (I didn't think anyone had an answering machine in the early '80s.) It's Frieda, calling to tell him she's in New York to attend a banquet/dinner thing. She tells him where she's staying, says they need to talk, and asks him to please give her a call. Mr. Shorofsky continues to stare at her black and white photos, then starts crooning to them in German.


Leroy and Danny are shopping for props at a second hand store, which came highly recommended by Leroy's shady pool hall friend, Stroke. Hmm...what could possibly go wrong with that? They gather up all the furniture and accessories on Ms. Grant's list, and are dismayed when the bill comes to just over $200. Danny decides to put back a chest of drawers, and Leroy snarks at him that they'll be short one item, but Danny points out that this way they'll have an $20 extra "to work with".

Mrs. Berg tells Mr. Shorofsky that he got another phone message from Frieda. She remarks that Frieda seemed really disappointed that he didn't return her call...and got the feeling she was an old flame. When Mr. Shorofsky doesn't confirm or deny, she fishes further by saying, "I couldn't help wondering...I'm just human" and Mr. Shorofsky snaps, "Be better than human! Be qviet!" Hee! He's so damned adorable, even when he's being a total curmudgeon.

Leroy's in a phone booth, talking to his mother in Detroit. He tells her he really really wants her to come to his upcoming show, but she tells him she can't get time off work or afford the plane ticket. After the call, Leroy despondently tells Danny that his mom won't be able to make it. Danny asks him why she lives in Detroit, so Leroy explains that the family she worked for in New York moved to Detroit, so she moved along with them...and Leroy opted to stay behind 'cause there's no Detroit equivalent to the School of the Arts where he can get course credits for gyrating.

Doris loudly interrupts Mr. Shorofsky's music class to inform him that he has a visitor named Frieda Grauer who wants to speak with him. Mr. Shorofsky rushes out of his classroom and slowly walks toward his old friend with his arms outstretched. He calls out, "Frieda!" and she turns around and smiles at him and says, "Well...you recognized me." The two stare at each other for a few seconds, and she remarks on how different he looks with his white hair and fuzzy beard...but that she would have recognized him by his eyes. She says, "Those are the eyes of the Benjamin I remember" and the two hug.


Danny and Leroy interrupt Ms. Grant's dance class to announce, "The prop masters have arrived!" and begin to unload some of the stuff they purchased. Danny says the larger items are in the lobby, and Ms. Grant urges the class to go downstairs and help carry them up to the dance gym. Mrs. Berg suddenly appears and informs Ms. Grant that a police detective is downstairs, then relays what he just said to her: "All your props are hot." Ms. Grant takes a few seconds to decipher what that means, then shrieks, "Danny! Leroy!" and races down to the lobby.

The Fame kids are hanging out on the street together, commiserating about how lame their upcoming show is going to be. I'm sure the New York arts community will survive the disappointment. Doris glumly says they have incomplete music (I'm guessing 'cause Mr. Shorofsky is too distracted with Frieda), incomplete choreography (dunno what Ms. Grant's excuse is for that), and no props (apparently, the cops hauled all the "hot" stuff away). Danny says it's not completely hopeless 'cause they still have $20 left over from prop shopping - plus they have him. The Fame kids laugh (I laughed too) and make jokes like, "That and a dollar will get you a cup of coffee." Danny gets insulted and starts to stomp off, but the others stop him and urge him to explain what he means. He tells them that for the past three years in the Bronx, he's hustled at pool and won big...and since he's a super amazing pool player, he's confident that he can do the same in the pool hall where Leroy works. His plan is to win back all the prop money they squandered and also buy a plane ticket for Leroy's mother. Considering this is Danny, that seems like an overly ambitious plan.

Frieda tells Mr. Shorofsky she'd like to cook dinner for him in his apartment, and starts making up a shopping list. Just as the two are about to head off to the grocery store, Miss Sherwood bursts into the teacher's lounge and asks Mr. Shorofsky, "How do you make things real for your class?" He's like, "Wuh?" so she explains that she just assigned The Diary of Anne Frank to her class, and is dismayed that most of them have no interest in reading it...while others told her they saw the movie and thought it was slow. She laments that "the reality" doesn't exist for them, and that all they're thinking about is how they'd play Anne Frank if they were cast in the role. Mr. Shorofsky points out that is a performing arts school, but Miss Sherwood insists she wants to train the person inside the performer. Frieda suddenly looks troubled and tells Mr. Shorofsky they should probably get going 'cause of all the shopping and cooking she has to do. He cuts his conversation with Miss Sherwood short and says they can talk more about this tomorrow.


Over in the pool hall, Danny introduces himself to his pool opponent, a dork named Wally Zawicky who has a white person's 'fro and talks with a thick New Yawk accent. Wally lays out the rules and stakes in a very no-nonsense fashion, and Danny and Leroy exchange knowing grins. Danny begins the game by breaking - and I'm no pool expert, but it looked like a really inept break. Wally, meanwhile, manages to make several challenging shots in a row while Danny is slumped in a nearby chair, looking bummed and sheepish. 

In Mr. Shorofsky's apartment, Frieda is cooking up a storm, and she gives Mr. Shorofsky a spoonful of stew to taste. He gushes, "I love it!" and says it reminds him of home...even though that home no longer exists. She tells him how much she loves the youthful black and white photos he has of her and jokes that she wants to steal them. He pours them two glasses of red wine and toasts, "To reunions."

Back at the pool hall, Wally easily kicks Danny's ass and demands his winnings: $50. Well that was utterly pointless. I wonder who Danny was "winning big" against in the Bronx for three years?

Frieda tells Mr. Shorofsky they should have had this reunion years ago. He says he tried to find her after the war, but then gave up and assumed she was dead...until he was in Rome and happened to see her name on a concert flyer. She exclaims, "That was twenty-two years ago!" and he tells her he was ashamed and afraid that she blamed him for not being in Germany during the war, suffering alongside her. She insists that she thanked God he wasn't there to share the hell she was enduring...then brings up the conversation he had with Miss Sherwood earlier. She accuses him of being flippant about the whole Anne Frank diary thing to avoid dredging up any memories of the Holocaust for her. She sternly says, "There can be no joking about anything that happened in the camps." OK...but I didn't get the sense he was, in any way, joking about that. Frieda tears up and says, "We're a million miles away" and acknowledges that he was safe during the war when so many others weren't - but that that's not either of their faults. She then says she should go, and that she'll just take one of her students to the banquet/dinner thing tomorrow night (instead of him). Mr. Shorofsky, who doesn't seem to give much of a rat's ass about being snubbed by her, just kind of shrugs and goes, "OK, whatever" and sees her to the door. After she leaves, he blows out the candles.


Mrs. Berg tells Ms. Grant they should cancel the upcoming show, but Ms. Grant refuses. Mrs. Berg argues that the audience won't understand the show if there are no props, but Ms. Grant insists that the absence of props will challenge the audience to use the full extent of their imagination. You keep believing that, Ms. Grant.

Mr. Shorofsky is sitting in the theater, eating his lunch and reading, when Leroy enters the room. He tells Mr. Shorofsky he's working on his diary assignment for Miss Sherwood...then starts bellyaching about how his mom, who lives in Detroit, can't afford to fly in for the show. Mr. Shorofsky starts babbling about people leading their own lives and destinies, blah blah...and  I forget what else they talked about 'cause I kind of checked out during this scene.

Frieda drops by the school to say goodbye, which is a relief 'cause she seems like kind of a wet blanket. She asks Mr. Shorofsky why he didn't call her in Rome all those years ago, and he admits he was afraid of being rejected again. She looks at him in surprise and asks, "When did I ever reject you?" so he explains that many years ago he wrote to her and asked her to join him in America. She's all, "Wha-a?" and says she wasn't able to secure a visa, and explained all that to him in her subsequent letter. He says he never got that letter, and then...blah blah...they both decide that their time for second chances is gone. I'm pretty sure I caught a fleeting look of relief on Mr. Shorofsky's face.

Frieda is standing in front of Miss Sherwood's class, lecturing to the Fame kids about her experience during WWII. She tells them that even though the Holocaust is over, there are all sorts of injustices happening in the world right now, and that they're not limited to any one race, creed, or color. She says that, as young performing arts students, they especially need to be aware of it. She touches Doris' hand and says they have a gift to show others how glorious humans can be, and that they're the bearers of the gift of joy. Mmm...I'm not sure I'd classify Leroy's pelvic gyrations or the casts' terrible singing voices as "the gift of joy". Montgomery suddenly expresses an urge to re-do the diary assignment, and everyone else nods and looks totally transfixed by Frieda's lecture. Miss Sherwood shoots her a grateful smile and mouths thank you.


The Fame kids are in the dressing room, primping for the dress rehearsal. Julie bursts into the dressing room to tell Leroy that his mom is here! Wuh? How'd that happen? A few seconds later, Mama Johnson enters the room and explains that she got a money order from Mr. Shorofsky to pay for her plane ticket. Apparently, he was feeling generous after his/Leroy's incoherent chat in the theater. Leroy ushers his mom over to the dance gym, where he introduces her to Mr. Shorofsky. He chuckles and tells Mama Johnson that Leroy is one of his teachers, and she chuckles in return.

Show time! Leroy is, once again, the show's lead...and, for some reason, the entire cast is wearing red choir robes. Mama Johnson looks mesmerized by her son's awful singing voice and vulgar pelvic gyrations...and Frieda is also there, actually looking as though she's enjoying the spectacle. The groups dances for what seems like a really loooong time, and when they finish, everyone who's watching applauds. Leroy proudly leads his mom to stand beside him in front of the group of the dancers, then gives her a happy hug.

Mr. Shorofsky walks Frieda down the hall toward the main doors. She tells him she's leaving New York tomorrow, and is pleased they were finally able to resolve things. She says she's richer for having known him...and he quietly takes her in his arms, and the two start dancing to the German song he was crooning at her photos earlier.