Ebay of the Week

 

This week a set of Fame Posters

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Fame Calendar July 2024

 

Tomorrows Children Episode of the Month

 Tomorrow's Children is the June episode of the Month

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Pop Foto Dutch Magazine T Shirt Offer 1983

I Need To Dance - Debbie Allen 1989

I Need To Dance - Debbie Allen 1989 from the Debbie Allen Special

Billboard Magazine Fame in The Netherlands article 1983

 

Lyric of the Week

 

Which Fame song does the Lyric "How many times can a man turn his head and pretend that he just doesn't see?" come from?

Season 3 Dutch Poster 1984

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Debbie Allen TCM Conversation 2021

 

Debbie Allen TCM Conversation 2021

Anita Issue 52 Picture Strip 26

 

Fame Hitkrant Advert 1983

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Picture of the Week Nia Peeples

 

Debbie Allen NY Times Article 1986 Sweet Charity

Debbie Allen gets up from the table at a midtown restaurant. ''It's the finger tips on the hat, the shoulders that move, one and then the other - this is Fosse and Gwen working together,'' she says.
      

Miss Allen is describing the dance movements she learned for ''Sweet Charity'' - the demanding dance routines for which she was coached by Gwen Verdon, the original star of Bob Fosse's hit of 20 years ago. Miss Allen's portrayal of Charity, a woman of the streets, opened recently on Broadway at the Minskoff Theater, and both she and Mr. Fosse's revival have received critical praise and have been nominated for Tony Awards.

Miss Verdon coached Miss Allen in a Los Angeles studio for a West Coast run of the show about a year ago, sharing a theatrical tradition with other dancers who have coached proteges in their previous roles. ''Dancing with Gwen is like playing a duet with Miles Davis,'' Miss Allen said. ''It's an artistic high.''

      

Miss Verdon has similar views about Miss Allen. ''Debbie learns so fast and catches on to the essence of the scene so fast,'' Miss Verdon said in a telephone interview. ''I knew it was Debbie's role the minute we started working together.'' 'A Kind of Feistiness'

She said she remembered fondly the time during rehearsals when Miss Allen, who didn't know how to pop open a flattened opera hat, learned the technique. In the show, during a scene in which Charity sings ''If My Friends Could See Me Now,'' the actor with whom Charity is having a date gives her the opera hat. Charity doesn't know what it is, or how to open it. The actor shows her, and then she proceeds to use her fingers to open it, then closes it under her arm and giggles. She pops it on her rear, and it opens, then closes it between her knees.

      

''What thrills me the most was that she caught the idea at once of the fun and the game of how many ways you can pop open a hat,'' Miss Verdon said. ''Some people just dance and do everything technically correct. She had great fun doing it.''

Mr. Fosse agreed. Several people were being considered for the role, he said, when he asked Miss Allen, who was appearing with him in a benefit in New York, to read the script.

''Not many ladies can play that part because it requires singing, dancing and acting,'' he said, also in a telephone interview. ''The thing she has that I thought would be good in the part is a kind of feistiness, street toughness that seemed right for the part. Plus, she is a superb dancer and singer.''

      

During the rehearsals in Los Angeles, Miss Verdon shared stage pointers and offered the advice of someone who had been there before.

''Gwen is real tough, but she's tough with a soft edge,'' Miss Allen said. ''I'm in every scene but two, and she would remind me that the show was all night long. She told me where I could rest in numbers, like the scene after I had been to see the famous actor and had come back to the dance hall. Charity is upstage sitting on a box changing her dress and shoes. She has to be getting ready - rested - to do the 'Something Better Than This' number. Gwen said this is a good place to sit down rather than being busy in the locker. There are only a couple of places where I could do that, and I better take advantage of them.''

      

''Gwen is so giving,'' Miss Allen said. ''And she gives you space. Never did she give a line to me and say, 'Say it like this.' ''

      

She said the role of Charity Hope Valentine was her most difficult, especially because of Mr. Fosse's angular dance movements, in which the dancers dart like frightened goldfish and then glide into fluidity. Dancing From Memory 

   

There are no dance notations for ''Sweet Charity,'' or for most dances in the musical theater. What remains exists mostly in the memories of the performers and in a few films. Miss Verdon, who used to be married to Mr. Fosse, said that when he decided to revive the musical, she had only agreed to help him find former dancers who remembered it. She soon discovered that she remembered the dances better than anyone else. Miss Verdon and her assistants taught the dance routines, and Mr. Fosse directed the scenes in Los Angeles.

''I do have memories about the show now that I see it with Debbie doing it,'' said Miss Verdon. ''I don't have to remember it anymore because it is there. It's terrific for me to see the show because I never saw it and never knew how I looked doing it.''

      

''Debbie is doing everything I ever did,'' Miss Verdon said. ''The only thing that might look different is that the movement on me may have looked more balletic: it looks more athletic on Debbie, but that may be because she's younger than I was when I did it.''

Miss Allen, who is 35 years old, has appeared in the movie ''Ragtime,'' on stage in ''Raisin,'' ''Anna Lucasta'' and the revival of ''West Side Story,'' and in ''3 Girls 3'' and ''Fame'' on television.

      

Sitting back in her chair in the restaurant, her face framed by frosted hair swept up in a bun in the back and by bangs in curly confusion, she smiled as she remembered one time recently when the tables were turned - when the student coached the coach. It was a short while ago when Miss Verdon was a guest star on an episode of the television series ''Fame,'' which Miss Allen - in addition to her starring role - choreographed, directed and co-produced.

      

''I was trying to explain to Gwen the concept for the dance in the scene,'' Miss Allen recalled, ''and she said, 'Honey, just tell me what you want me to do.' ''

Dutch TV Listings Season 3 Part 2

 

Quote of the Week - Carol Mayo Jenkins and Debbie Allen

 

Valerie Landsburg Prive Magazine 1983

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Happy Birthday Erica Gimpel

 

Debbie Allen Dark & Lovely Commercial

Debbie Allen TV commerical for Dark and Lovely Hair Creme relaxer.

Anita Issue 50 Picture Strip 25

 

Tomorrow's Children Promo 1985

 Tomorrow's Children Promo 1985

The War Song - Kids From Fame

The lyric "In this heart of mine, I'll find a place for you, for black or white, for grown-up children too" comes from "The War Song" from the season 4 episode "Tomorrow's Children" and is performed by Gene Anthony Ray, Jesse Borrego, Carlo Imperato and Billy Hufsey. The song was written and originally performed by Culture Club.

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War, war is stupid and people are stupid

And love means nothing in some strange quarters

War, war is stupid and people are stupid

And I heard them banging on hearts and fingers

War

People fill the world with narrow confidence

Like a child at birth, a man with no defence

What's mine's my own, I won't give it to you

No matter what you say, no matter what you do

Now we're fighting in our hearts

Fighting in the streets

Won't somebody help me?

War, war is stupid and people are stupid

And love means nothing in some strange quarters

War, war is stupid and people are stupid

And I heard them banging on hearts and fingers

War

Man is far behind in the search of something new

Like a philistine, we're burning witches too

This world of hate must be designed for you

It matters what you say, it matters what you do

Now we're fighting in our hearts

Fighting in the streets

Won't somebody help me?

War, war is stupid and people are stupid

And love means nothing in some strange quarters

War, war is stupid and people are stupid

And I heard them banging on hearts and fingers

War, war war

After the bird has flown

He walked ten thousand miles back home

You can't do that to me, no, you can't do that to me

You can't do that to me, no, you can't do that to me

War, war

In this heart of mine, I'll find a place for you

For black or white, for grown-up children too

Now we're fighting in our hearts

Fighting in the streets

Won't somebody help me?

War, war is stupid and people are stupid

And love means nothing in some strange quarters

War, war is stupid and people are stupid

And I heard them banging on hearts and fingers

No more war

Say no more war

Say war

I said woah, said no more war, said no more war, said woah

Said no more war, I said no more war

Senso hant-ai

Senso hant-ai

Say no more war

Say no more, no more war, said no more war

Said no more war, said no more war, oh

Kids From Fame in The Netherlands 1983 Article 2

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Debbie Allen Archive of American Television Interview 2011 Part 2

 Debbie Allen Archive of American Television Interview 2011 Part 2

Ebay of the Week

 

This Week A framed Publicity Ad

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Lee Curreri 1983 Netherlands Interview

  

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Debbie Allen Archive of American Television Interview 2011 Part 1

Debbie Allen Archive of American Television Interview 2011 Part 1
 

Anita Issue 49 Picture Strip 24

 

Lyric of the Week

 

Which Fame song does the Lyric "In this heart of mine, I'll find a place for you, for black or white, for grown-up children too" come from?

Kids From Fame in the Netherlands 1983

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